Jimi Alexander and The Satellites

Burn a Little Brighter

Half Tide at Black Point by Kevin Russ
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Next Gig 10/03/10

Acoustic performance, Milgi, Cardiff

The debut album...

Burn a Little Brighter

They came from the desert, the city and the countryside to descend on one humble recording studio on the south coast of Wales. 10 months and 10 songs later there was an album. An album of stories and melody, sincere and intimate; Burn a Little Brighter. Listen / buy now

Burn a Little Brighter album cover

III About the Band

"When i hear the Satellite convulsions, i am an aqeuduct for twilight rain" Ben Doller

The Band

  • Jimi Alexander

    Vocals & Guitar

  • Lucy Burke

    Cello & Vocals

  • Matthew Passmore

    Guitars

  • Robert Molcher

    Bass

  • Tim Rooney

    Drums

  • Bernard Kane

    Viola

The Road

Their current iteration sees The Satellites as a six-piece alt.country folk band, whose sound, in transposing the pastoral Americana of their influences onto the bleak but beautiful cityscapes of their native South Wales, is at once melancholy and affirming.

Jimi Alexander’s songwriting identity, however, can be traced back to a childhood spent in expatriation – themes of searching and rootlessness emerge strongly in his lyrics, and Lucy’s mournful cello echo these sentiments strongly in songs that betray a saddening vulnerability, even whilst the explosive combination of percussion and bass that Tim and Robert produce drive their sound towards aggressive excursions in rock n roll.

Brief but formative childhood experiences in Australia compelled Jimi to return there in 2002, and it is perhaps significant to this band’s output that a year was spent developing the voice that would come to focus prominently on ideas surrounding the road, travel, expatriation, and the desert expanses that were to become familiar to him during his years on the tiny Middle-Eastern island of Bahrain. These seemingly disparate elements were aggregated when the musicians that are now mainstays of the Satellites added their own dimensions to his sound, and with the addition of Matthew on lead guitar, the line-up was completed and their sound was made their own – dense and rich and melodious, Lucy’s harmonies accentuating perfectly the rueful but often optimistic lyrical content, and Matthew’s guitar skirting light and playful over the sheer volume of Robert and Tim’s composite strength.

And so The Satellites began to surface as an exciting new addition to Cardiff’s diverse sound, and were quickly noticed by local promoters as a shockingly ingenuous emotive ensemble; the dichotomy between their powerful country rhythms and the subdued beauty of their ballads engenders a response that is as rich and full as the sound they create. Of late, this sound has been further developed by the addition of the classically trained Bernard, whose viola increased the power of the strings to such an effect that he has become an indispensable accompanist during the band’s live sets.

It was not surprising, then, that they seemed a perfect choice for a recent tribute CD to one of South Wales’ most influential songwriting figures, Jon Langford. The opening cover of The Invisible Man on the tribute CD ‘Levitation’ is certainly one of the highlights of the album from Country Mile Records, with whom the Satellites are now closely linked, and their song New York City Never Came, along with the Langford cover, has enjoyed recent airtime on some of the UK’s independent radio stations, as well as Chicago’s own WXRT.

Summer 2007 saw them supporting the infamous Alabama 3, the Satellites’ sound complimenting perfectly the dirty, lecherous textures that are now synonymous with TV’s The Sopranos, and a similarly exciting support slot under pop-country songstress Cerys Matthews and the emerging psych-folk collective Danny and the Champions of the World in 2008 was a career highlight that left the audience reeling with excitement, albeit soaking wet from the relentless Celtic rain, which, now that I mention it, is perhaps one of the greatest of Jimi Alexander and the Satellites’ influences.

MTR 10/08